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Cronus (with Steve Godin)

by Panopticon Eyelids

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1.
Prelude 06:31
PRELUDE From the annals of ancient time, this story has been sung, It is said here again, may it not be forgotten. This is about the strength of a God. who was Son like Father, who became androgynous, a cloaked Angel, without feathers. Forever, bards will sing, a sad song for the Lord of the Eternal Night. By its word might, may arrogant men, become humbled, for them, here too, is the strength of a goddess’s tongue. Listen..... young ears to this lore, and maybe, just maybe, there will be fewer victims of war. If the moral remains, it will free my chains from gravity, before mankind’s last thought, is removed from vision. This oratory reveals a mysterious mindset. A legend, that remains in symbols. A role, that will shift personalities, in order to explain my cursed duty. In the eye of whoever awaits death in fear, I am the Grim Reaper. But that’s a phoney identity, from lack of comprehension I am Not! a Spectre of Gore... Yet, I am wrapped in myth, I hang as no constellation. I remain on earth, with a sympathetic reason, I wander. The stage direction, in this working, is earth and Saturn, influencing psychological behaviour.
2.
THE EARLY DAYS It was Gaia, my mother, who put me on the task of castrating my father and God, Uranus, who is now without rule, in the sky, where he remains as a master atmospherist. When my father reigned as King, He was not always set with the hatred, that eventually set his fate. In fact, he was an optimistic kind of guy. He hung over us, Giving us a sense of protection. Satisfaction to him was, that everything is fine, in his dominion. Mom thought he was promising, like a clear blue sky. Always in awe of his craftsmanship, on how he made the starry night sky. She thought him to be humorous, when some nights, he would play with his skin some more, with streaks of light. In the days of their youth, there was plenty of wilderness and no population on the earth. Mom ripened into a maiden, and Dad came down to the horizon and touched the edges of mom’s skin, very softly. Her caves became moist, The fire in father loins, became a bio- chemistry that swelled his sex He mounted Gaia and fertilized her, with an electrical surge. Gaia trembled from his thunder. In Gaia’s belly, we ripened, and were born, as Cyclops and Titans. How I got my name, was mom’s doing. She was tending to a black bird with a messed up beak. The obsession was a focus during the onslaught of labour pains, and made me an easy delivery. The pet name that she had given me, was Crow Nose. But mortal tongue, as etymology will show gets a little crazy, with cultural growth from the root, my name is known as Cronus. As whom I unveil my identity. Mom treated us all as equals. Dad, thought about the Cyclops, a little less than us Titans, because, we could look up to him, whereas, the Cyclops, it seems were always looking down, at the ground, for the other eye. Now time is an event I made, from watching dad slowly move his stars across the night sky. His art he said, was to occupy space. I thought it was only a schematic plan. that could be a method of explaining the distance between then and now. Dad looked at me suspiciously. and said with a whisper that rustled the trees, “Don’t you get smart with me.” So as time went by, we got to know our other Titan, as brothers and sisters, together we roamed the land, and frolic as lovers. That’s when Rhea, my sister, took my hand as my wife. Mom was without a strife about our pleasures, she could now spend more time, tending to the woodlands, mountains and pastures. Dad was on a routine, day and night. But then, something was happening, there seem to be more clouds, during the daylight. It was one night, I started to think with a drink, if Uranus was spilling his ink. I was transfixed on a red star, when Rhea came to my side, with a frown, and spoke to me about, our father’s mental breakdown. She was talking with mom. Gaia said to her, how dad grew to dislike the Cyclops. I replied, with mortal introspection, the thought was predictable, Since they were all simpletons, with only one eye, and busy looking for the other one. But, Dad should know, what’s above so below, It’s possible that God’s have faulty semen. Bah! a low mortal trait is repulsion. But, Rhea said it was a mood not right! he talks to mom about us too. How we stay up all night, with our merriment, then sleep half the day away, without noticing him carrying the sun. In his eyes, we’re all good for nothing’s. Well I said, isn’t that what the Golden Age is all about, doing nothing but having fun! Ah! What do you think about that ? I guess you’re right Rhea said. With an agreeable smile, she put my hand in her crotch. She was wet as dew, with a look I knew, I got virile, gristle with a purple head. There was a truth in Rhea’s words, as the days and nights progressed, we were all preoccupied, with our adventures. But, I noticed that, Mom looked a little hurried, and not at rest. Again to Rhea she did confess; your father is in a irritable mood... I’m not having a good harvest the days have been cloudy ever since..... And so it was, and night time too. there were no stars about. and I had nothing to do.
3.
THE WORLD TURNS OVER Then, the world turned over, and the Golden Age was no more. My fathers clouds, rained with fury, he stormed the earth demented, it was the worst time to worry. Mom skin was swelling, and her cysts, burst into lakes, We had our hands full, saving animals and mortals from drowning. Once I had a moments rest, Mom appearedin my dream, she showed me a chest. Inside like the phase of the moon, was a her harvest sickle. She said the sickle, was in the mines of Mount Othry, I know she said, you like to do the job with efficiency. The hint was a little dirty, but it would make a God King of me. My dream was broken, by a deafening scream, Beyond the valley, I looked with horror, at the western mountain range, Dad had rounded up the Cyclops, and the other Titans too, and was forcing them back into mothers womb. If I may say here, for future generations, the truth of my story, I was without a thought for glory, When I ran like no tomorrow, to the mines of Mount Othry. it was how I loved my mom, her suffering,made me crazy. When I found the chest, the lid was marked with an "h", the stem had been crossed, like a "T" Inside the sickle lay, on top of tablets made with clay, In lay, of an Assyrian hymn, invoking the current of Saturn. I returned, to my parents resting place, and hid under the bed. Mom was unconscious, and dad stormed in, quite deranged in the head. He frisked himself stiff, and was going to fuck mum again, I sprang up from under the bed, and surprised him instead. Within a blink of an eye, the sickle slashed, and on the floor his genitals lie. As quick as a flash, I grabbed my trophy, and threw it into the sea. My father was stunned, and collapsed to his knees, the end of his reign had come, the clouds dispersed, and out came the sun.
4.
POST CASTRATION The result of my deed, opened mom’s womb, and the Cyclops and Titans were freed. The blood from the genitals, became the furies, giants and the water elementals. (I kept fire, thinking I’ll need it later.) When Uranus’s penis landed in the sea, the foam made another Goddess, of which the mortals adopted, as an idol for Love and Beauty. My dad was cursed with androgyny, and remained as the sky for eternity. Mom remained lovingly tender, with father, she started to heal, when they slept together, on the still horizon. But I was now king, and when everything was content again, I was spending evenings, charting the stars. One night, I found the one, called Saturn. Rhea was my perfect mate, she copied my astronomical notes, and gave copies to the fates. Amusing me, they made another category, from my charts and called it astrology. They danced the celestial spiral, and started their spinning wheel, that made the thread for mortal destiny. During my 29th year, and the 9th month of Rhea’s first pregnancy, Gaia, one day said, “Cronus my dear, it’s time for your oracle.” The messenger came, one day later, in the guise of a bird, and told me my fate in my ear. “What goes around comes around.” Then the bird died in my hand.
5.
EATING THE KIDS a) PART I Rhea! You and I are going to have a little talk! I’m a little concerned about the Cyclops, and some Titans, crowding up our kingdom. Maybe we should shut them up in a cave somewhere, away from here. I think as well, that I should tie you to the bed, while I have my pleasure. With tears in her eyes, Rhea protested, “Are you demented, like your father ?” To preserve my rule, to which I am worthy, I put a spell on her, for my sake, because my sense of security, was at stake. So things were done in this fashion when Rhea gave birth, in succession with five children, I devoured each one. There is something in the taste, of my children, as gods and goddesses, libertine or chaste, they had my qualities, good and bad. Better keep that knowledge, with dear old Dad. Another reason I ate them be, so that the mortals should only, make offerings to me! b) THE DREAM (Last night I dreamt, I am in a well. In the earth are tunnels, Catacombs, that go on forever, the veins of ancient rivers. Here, no age progresses, in this dampness. Where, souls dance, and whisper warnings in the dull light , of the Sibyls dwelling. I make a fire, but, I am not warmed by it. The flames animated faces, of all ages and races, appearing in frightful form. My ears sting. from bitter voices, and weeping processions behind the funeral hearse. Blasts from guns and bombs, impact of metal and heads through glass. The vision, is unceasing. No stone left upturned. The painful screams, from disease, flesh that is burnt, and stillbirth. The old women are talking in whispers, that hiss and crackle, with oral venom, about the impure mad men, Chanting malicious incantations, invoking, the dismal of winters. On a stake, a black cloak is hung, I want to cover myself from the dampness, my hand, passed through the sleeve, but, the cloth’s defence is none. I have no happy relief. My fingers are bone.......) c) EATING THE KIDS - PART II I do not go out much, since I’ve become a God King. I don’t touch the earth, or see the sun. Mom and I seem to be out of touch, and huffs at my lack of feeling. She knows I ate the kids, a secret I try to conceal. Suspicions were mounting, when her charms fail to heal, a home, gloomy and haunting,and Rhea from a depressing spell. I look in my mirror, I have a morning look that could kill. I’m bloated, my skin colour is pale, and the youthful look in my eyes, has gotten dimmer. My face is a hairy mess, a beast at worst, and my perspiration, emits a foul odour. What’s that I hear, another baby’s cry... Rhea’s given birth I fear, to another God I must cannibalise. I rush to the bedroom, to devour the curse. Between Rhea’s legs it lie, in swaddling cloth, covered with blood and afterbirth. What the Zeus is this! It slid down my throat, but hit the stomach with a thud. After, I was constipated for weeks, and pissing blood. The irritation reached its peak, hearing the Curette’s banging their shields! Partying like absent minded mortals, when they should be working in the fields. If they don’t make offerings to me, I’ll cook them as animals! Where’s another bottle of Metis, this wine will ease my mental trouble.... I don’t give a fuck, if every one thinks I’m a prick! When Gods have wrath, our despot ain’t subtle. This wine has turned sour...... I’m feeling sssssick!
6.
The War 02:53
THE WAR Zeus! Poseidon! Demeter! Hades! Stronghold on Olympus! This is your Father speaking! Why a council of war against me ? Lay down your arms! Send the 100 Handed and theGiants home! We can talk this out! I promise to treat your mother better, than a whore! Zeus! Poseidon! Hera! Hades! I am your Father and God of all! I have a burning spear, and a raging fire, in my hypothalamus, By my might you shall fall! By this virus, of rage in our blood made me god protector to consume you all, so that we would not, have this war! Now, ten years of squirmishes is enough, no more! Zeus! Poseidon! Hestia! Hades! Don’t try to outsmart me! or be besieged by fire give up your coup d’état! You are just a model government, plotting against my supremacy! But I am the military! Commander! What is your strategy! I am your Leader! Don’t you look stupidly at me! Before now, there has never been a War. But victory is glory, at the light of tomorrow day, The summit of Olympus, will be mine, legend will say, I was ruthless, in keeping my authority. No more child’s play! Archers load your bows with arrows black, Put fire into the valley of hay, burn every living creature in the way, Troops afoot! Get ready to attack! But in the midst of the assault, A great cry was heard, I saw panic grip my army, Disorganised, they were slaughtered before me. Cursed by the prophecy, I watched the soil and water turn red. With courage and pleas, I tried to return those who fled... Don’t be gripped by fear! Don’t Abandon Me!
7.
Redemption 04:23
REDEMPTION The war was over. The oracle has been executed, I am the only witness, to see carnage, upon carnage on the battlefield. Living silence, for dead ears. Smoke, hung in the air, the earth moved, with voracious maggots. So what has God’s lot spoiled, for eternity? A wrathful life paved with decay? Have I evoked death for mankind? While I was burying the dead, in the valley,on Mount Olympus, my offspring are dividing the spoils. My men, I shall wander without rest, my kingdom is neither, air, water or soil. My rule is done. I have failed as your God, I have been the foolish one. By my power, your lives were spent. Oh Mother Earth, take these warriors into your bosom They are honourable! I, accept exile, to repent my sins. I spade incisions of love in your skin, to bury them. “And so it shall be done”, Gaia said. You are still my favourite, among the Titans even though your heart, fell putrid. But, I remember when I suffered from your father, It was my son with the sickle. who loved me, and gave me honour. You knew the oracle, in face of defeat, you stayed with your men, till the end. Such loyalty, is rare like acts of compassion. With Rhea, you were insolent, But, you kept her as your companion, when any woman, would have given your doom. The fates wove a continuous thread for you, because you gave them time. Your acts went to mortal depths, what truth may be divined, is in the heart, where love for life is kept. Your offspring know these aspects, and have given you the Western land, with their respect. Knowing too, there is a problem at hand, the theatre is set, as gods and goddesses, we have set examples for mortal man, now men will be against men, shedding blood without end. Gaia put her words at rest, and handed me the cloak, that transforms flesh, to skeleton a scythe, fastened to a staff of oak, and a job without contest. My word is nin, on the 13th card of the tarot, look upon me, as change is stability. Like Uranus, I am androgynous, I shall wander for eternity, as the last god, every one will see. How ever a person’s life should end, be assured by me, if any man or woman has a fear to die alone, I Cronus, I will spend the last moments of life with thee.

about

SPRING COMES ACROSS CRONUS' TITANIC JAW
Regarding a collaborative work by Panopticon Eyelids and Steve Godin

"Before there was Casa Del Popolo there was a spot called Artishow, run by a loose cannon whose exuberance for the whole thing was only matched by his ineptitude. Coldest gig ever, in the history of gigs was a Phÿcus show played on the coldest day in February, dude having had his heat cut off by Hydro-Québec, who rarely pull the plug on anyone that time of year. I remember seeing Steve Godin play there, a rousing set of treated homemade percussion. He was opening for a bunch of dude's doing pub-rock arrangements of Bach tunes. I shit you not. There is no deeper zone than Montreal.

That Godin's Electrik Night's Volume 2 is the best "deep zone" release of 2003 is incontestable. It sounds like the 2nd Loud Toilet cassette minus the moan vox. Godin even collaborated with Zoviet France. But, besides his musical and visual arts work (he co-designed with Chris and Cosey their cassette and CD cover of Allotropy) Godin has been active in Montreal's Spoken Word scene. I'll admit to not knowing much about this particular facet of Montreal's arts world but trust me when I say the Godin's work in it surely out-weirds Fortner Anderson or Kyle Kelough!

Panopticon Eyelids, best Alien Altars tribute act you'll ever see, no strangers to weird them own selves, have produced a fine body of work running multiple gamuts and shearing a mind lobe or two. That this is the closest they'll come to making a "fourth-world" record is by no means insignificant. Minus Jon Hassell of course and thank god for that. If you find David Toop to be interesting than I suggest not really checking into Panopticon Eyelids. If you like "fourth-world" records this is the best one. I tried to convince Mr. Evans, Salut Frenchie! CEO, to just straight slap the EG Records logo on this release to trick people like you: Weirdo's that like David Toop and buy "fourth-world" records with tracks titled "Eating the Kids".

Our old pal Cronus, Godin's tragic protagonist, whose sorry tale is recounted here in detail, needs Panopticon's warp to get him through, it seems. It's as if the Eyelids are goading him on. Sébastien Fournier's intro guitar solo, sounding like a rough-shod Carlos Santana outtake from Abraxas, sets the tone early here, with Morel feeling out the scene on polyrthymic coffee-tin-on-homemade-xylophone accompaniment in an antinomious key native to the secret race of mine-pygmies of Noranda, and before long we're Eating the Kids and having castrated battles so fierce it comes through the stereo system and induces a most timerous listening experience. This is also the scariest "Fourth world" record ever.

If poor Cronus were alive today, fittingly, his infanticidal acts would be caught on closed-circuit tv and reflected infinitely through the media-scape. In fact, Montreal'd be a good place for him. This record would then simply be the soundtrack to the Journal de Montreal's coverage of Cronus, having reduced their off-season hockey section down to 13 pages from 15, who, in a fit of the highest caliber photo-journalism would have splashed across their pages Cronus dining with les Hells, shooting the shit with members of les tricoleurs at Club 360, bumping lines of coke off the valley twixt the tits of Spring herself at Guy Laliberté's Formula One party and perhaps most shockingly, late day strolling with Karla Homolka, near her home. ("KARLA EN PROMENADE AVEC CRONUS") Karla being, of course, the trope of repressed Ontario-girl-dome, Cronus being a mere Titan, from that pre-psychological time, when repression didn't exist and eating one's kids, even if that Kid is bloody Zeus,who would go on to lord over the gods, is simply just a matter of survival.

With David Toop, Eno, Nat Hentoff and Ian Pennman all refusing to write liners for this release, I am stuck with the task of assessing and conveying this remarkably weird work. So, here it goes.... It is best understood as such: vengeance is a sick, ugly and vicious circle and the moral of the story is that when castrating your dad, either physically or psychologically, remember to discard the member properly cuz you just never know what demonic race of gigantors his semen will have wrought and how the blowback will effect you down the line!

Postscript: Cronus is not to be mistaken for Chronos, the Greek God of time, who, whilst baked many a sunny afternoon, we've all been known to regard with a cocked and red eye and simply said, "fuck you!""

Alexander Moskos
The Journal of Total Antinomy
June 6th 2007

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released June 22, 2007

A concept record in collaboration with Steve Godin, spoken word artist, intrument builder and electronix wizard.
Salut Frenchie!/Carved In Lava Records #1.
Limited editiion of 200 CDR in a gatefold style cover with a 16 page booklet including the text, collages and liner notes.
Recorded and Mixed by Sébastien Fournier.
Cover artwork by Billy Mavreas.
Booklet collages by Félix Morel.

Steve Godin - Vocal Narration, Poem, Synthesizer and Electronics
Sébastien Fournier - Guitars, Voice and Electronics
Eric Gingras - Bass and Synthesiser
Michel Meunier - Guitars, Voice and Electronics
Félix Morel - Drums and Tonal Objects

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Panopticon Eyelids Montréal, Québec

Panopticon Eyelids is a Sci-Fi Prog Punk band formed in 2002.

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